In a sleepy French village, the body
of a man shot through the head is disinterred by the
roots of a fallen tree.
A week later a famous art critic is viciously murdered
in a nearby house.
The deaths occurred more than seventy years apart.
Asked by a colleague to inspect the site of the former,
forensics expert Enzo Macleod quickly finds himself
embroiled in the investigation of the latter. Two
extraordinary narratives are set in train - one
historical, unfolding in the treacherous wartime years
of Occupied France; the other contemporary, set in the
autumn of 2020 as France re-enters Covid lockdown.
And Enzo's investigations reveal an unexpected link
between the murders - the Mona Lisa.
Tasked by the exiled General Charles de Gaulle to keep
the world's most famous painting out of Nazi hands after
the fall of France in 1940, 28-year-old Georgette Pignal
finds herself swept along by the tide of history.
Following in the wake of Da Vinci's Mona Lisa as it is
moved from château to château by the Louvre, she finds
herself just one step ahead of two German art experts
sent to steal it for rival patrons - Hitler and Göring.
What none of them know is that the Louvre itself has
taken exceptional measures to keep the painting safe,
unwittingly setting in train a fatal sequence of events
extending over seven decades.
Events that have led to both killings.
The Night Gate spans three generations, taking us
from war-torn London, the Outer Hebrides of Scotland,
Berlin and Vichy France, to the deadly enemy facing the
world in 2020. In his latest novel, Peter May
shows why he is one of the great contemporary writers of
crime fiction.
Lockdown
Lockdown, Peter May's prescient thriller
set in a world quarantined during a deadly virus
pandemic.
A CITY IN QUARANTINE
London, the epicentre of a global pandemic, is a city in
lockdown. Violence and civil disorder simmer. Martial
law has been imposed. No-one is safe from the deadly
virus. The Prime Minister himself is dead. Health and
emergency services are overwhelmed.
A MURDERED CHILD
At a building site for a temporary hospital,
construction workers find a bag containing the rendered
bones of a murdered child. D.I. Jack MacNeil,
counting down the hours on his final day with the Met,
is sent to investigate.
A POWERFUL CONSPIRACY
As a bizarre mosaic of evidence appears to link the
murdered child to the pandemic itself, the virus claims
the life of his son. Jack has been directly exposed. But
sinister forces are tracking his every move, prepared to
kill again to conceal the truth. Which one will stop him
first - the virus or the killers?
A message from Peter:
"I have taken the decision to donate the money from
the advance that I have received for LOCKDOWN to
various charitable organisations involved with
supporting health workers, victims and others
suffering as a result of Covid-19."
A Silent
Death
Set in Southern Spain, A Silent Death is the
scorching new thriller from worldwide bestselling
author of The Lewis Trilogy, Cast Iron and I'll
Keep You Safe. Peter has written a blog about the
background to the book with more information about the
setting and the characters, you can read it here.
A SILENT VOW
Spain, 2020. When ex-pat fugitive Jack Cleland
watches his girlfriend die, gunned down in a pursuit
involving officer Cristina Sanchez Pradell, he
promises to exact his revenge by destroying the
policewoman.
A SILENT LIFE
Cristina's aunt Ana has been deaf-blind for the
entirety of her adult life: the victim of a rare
condition named Usher Syndrome. Ana is the centre of
Cristina's world - and of Cleland's cruel plan.
A SILENT DEATH
John Mackenzie - an ingenious yet irascible
Glaswegian investigator - is seconded to aid the
Spanish authorities in their manhunt. He alone can
silence Cleland before the fugitive has the last,
bloody, word.
Peter May's latest thriller unites
a strong, independent Spaniard with a socially
inept Scotsman; a senseless vendetta with a
sense-deprived victim, and a red-hot Costa Del Sol
with an ice-cold killer.
Brussels, 1979. Jaded Edinburgh journalist Neil
Bannerman arrives in the capital of European politics
intent on digging up dirt. Yet it is danger he
discovers, when two British men are found murdered.
A CHILD WITH NO FATHER
One victim is a journalist, the other a Cabinet
Minister: the double-assassination witnessed by the
former's autistic daughter. This girl recalls every
detail about her father's killer - except for one.
THE MAN WITH NO FACE
With Brussels rocked by the tragedy, Bannerman is
compelled to follow his instincts. He is now fighting
to expose a murderous conspiracy, protect a helpless
child, and unmask a remorseless killer.
Originally written and published in 1981, this
fast-moving political thriller is set in 1979 but is
contemporary in its themes. Set on the eve of a UK
general election, the topic on everyone's lips is
Britain's membership of the European Union.
Political conspiracies, freedom of the press, corruption
and assassinations, all set in the pre-internet era,
when nobody had mobile phones and information was slower
to travel and easier to conceal.
I'LL KEEP YOU SAFE
After an explosive opening in Paris Peter May's new
thriller sees a return to the Hebrides...
Niamh and Ruairidh Macfarlane co-own the Hebridean
company Ranish Tweed. On a business trip to Paris to
promote their luxury brand, Niamh learns that Ruairidh
is having an affair, and then looks on as he and his
lover are killed by a car bomb. She returns home to
Lewis, bereft.
I’LL ALWAYS BE THERE
FOR YOU
Niamh begins to look back on her life with Ruairidh,
desperate to identify anyone who may have held a
grudge against him. The French police, meanwhile, have
ruled out terrorism, and ruled in murder – and sent
Detective Sylvie Braque to shadow their prime suspect:
Niamh.
I’LL KEEP YOU SAFE, NO
MATTER WHAT
As one woman works back through her memories, and the
other moves forward with her investigation, the two
draw ever closer to a deadly enemy with their own,
murderous, designs.
COFFIN ROAD
if you had killed someone you would remember wouldn't you?
out in January 2016 in UK
"a terrific novel with well-developed
characters, a clever plot with a fascinating scientific
issue at its core...
It is hard to imagine that many thrillers in 2016 will
be better than this." Sydney Morning Herald (read
the
entire review)
A man is washed up on a deserted beach on the
Hebridean Isle of Harris, barely alive and
borderline hypothermic. He has no idea who he is or
how he got there. The only clue to his identity is a
map tracing a track called the Coffin Road. He does
not know where it will lead him, but filled with
dread, fear and uncertainty he knows he must follow
it.
A detective crosses rough Atlantic
seas to a remote rock twenty miles west of the Outer
Hebrides of Scotland. With a sense of foreboding he
steps ashore where three lighthouse keepers
disappeared more than a century before - a mystery
that remains unsolved. But now there is a new
mystery - a man found bludgeoned to death on that
same rock, and DS George Gunn must find out who did
it and why.
A teenage girl lies in her Edinburgh
bedroom, desperate to discover the truth about her
father's death. Two years after the discovery of the
pioneering scientist's suicide note, Karen Fleming
still cannot accept that he would wilfully abandon
her. And the more she discovers about the nature of
his research, the more she suspects that others were
behind his disappearance. Coffin Road follows three
perilous journeys towards one shocking truth - and
the realisation that ignorance can kill us.
"a truly outstanding novel.
Peter May is one of the most accomplished novelists
writing today.
Each time we read his latest book we label it as his
best yet, and we make no apology in doing so again.
The author has become a master of misdirection,
and the ways in which the strands of the book
entwine confound the reader's expectations right to
the very end." Undiscovered Scotland (read
the
entire review)
"May conjures a
clever, twisty eco-thriller... while making
the atmospheric most of his isolated
locations" The Guardian
(click
to
read the full review)
"The
book
is beautifully written, funny and poignant, and very
different from any I have previously read by the
versatile Peter May" Literary
Review
"lacerating narrative" "As much a disquisition on friendship and the
fragility of dreams as it is a thriller" Financial Times
"a terrific read suffused with nostalgia and
the burden of long suppressed guilt" The Sunday Times
The decision of five teenage boys to leave their homes
in Glasgow in 1965 and head for London is led by Jack
Mackay when he is expelled from school. His friends need
little incentive to run away from abusive families and
dead end jobs to pursue fame and fortune as a
band. However, the boys find the reality to be
devastatingly different from their dreams, and within
less than eight weeks of their departure, just three of
them return home, their lives irrevocably damaged.
Fifty years later, in 2015, a brutal murder takes place
in London and the three men, who are now in their
sixties, are forced to return to the city to confront
the demons which have haunted them and blighted their
lives for five decades.
Runaway is a gripping crime novel spanning two cities
and half a century. This extraordinary work by Peter May
explores how aspirations and expectations shape us, and
the pivotal yet changeable role that friendships play in
our lives.
ITV
Specsavers Crime Thriller Book Club
BEST READ OF THE YEAR 2014!
ENTRY
ISLAND
"Peter May follows his superb Lewis
trilogy with an equally absorbing work” “Mackenzie’s historical quest merges
rivetingly with his 21st century police work” The Times(London, UK)
(click
to
read the full review) "Entry Island is simply another
outstanding novel by Peter May. Though on second thoughts, nothing is ever
simple with Peter May, and this is not "another" novel by him: we think it's easily his best yet." Undiscovered Scotland
(click
to
read the full review) "Told
with exceptional clarity and a fine eye for
the claustrophobia of island life, it weaves a hypnotic spell as it jumps
between generations and proves that May is a writer to be cherished." Daily Mail (UK)
(click
to
read the full review)
"masterful" "Both lines weave together, as
elegantly as any Celtic knot, until May ties
both ends off. The final result is a fascinating glimpse
into a shameful and frequently overlooked aspect
of British history." The Independent (UK) (click
to
read the full review)
"in a
word, superlative and a book to get lost in." Deadly Pleasures Magazine
When Detective Sime Mackenzie boards a light
aircraft at Montreal's St. Hubert airfield, he does
so without looking back. For Sime, the 850-mile
journey ahead represents an opportunity to escape
the bitter blend of loneliness and regret that has
come to characterise his life in the city.
Travelling as part of an eight-officer investigation
team, Sime's destination lies in the Gulf of St.
Lawrence. Only two kilometres wide and three long,
Entry Island is home to a population of around 130
inhabitants - the wealthiest of which has just been
discovered murdered in his home.
The investigation itself appears little more than a
formality. The evidence points to a crime of
passion: the victim's wife the vengeful culprit. But
for Sime the investigation is turned on its head
when he comes face to face with the prime suspect,
and is convinced that he knows her - even though
they have never met.
Haunted by this certainty his insomnia becomes
punctuated by dreams of a distant past on a Scottish
island 3,000 miles away. Dreams in which the widow
plays a leading role. Sime's conviction becomes an
obsession. And in spite of mounting evidence of her
guilt he finds himself convinced of her innocence,
leading to a conflict between the professonal duty
he must fulfil, and the personal destiny that awaits
him.
VIDEO - watch video interviews with
Peter May talking about Entry Island. Click here
AUDIO CLIPS - listen to excerpts of
the Entry Island audio book. Click
here
Listen to Peter being interviewed on the BBC Radio
shows of Janice Forsyth, Clive Anderson, and Claudia
Winkleman, and talking about Entry Island.
*****
Click below to listen to
Peter's interview on Radio Scotland's
The Culture Studio with Janice Forsyth...
*****
Click below to listen to
Peter's interview on Radio 4's Loose
Ends with Clive Anderson...
*****
Click below to
listen to Peter's interview on BBC Radio
2's Arts Show with Claudia Winkleman
Part ONE...
*****
Click below to listen to Peter's
interview on BBC Radio 2's Arts
Show with Claudia Winkleman Part TWO...
Reviews from other top
authors from the ITV Crime Thriller
Bookclub:
"From
the first page I knew I was in safe
hands. I knew I could trust this
writer." Sophie
Hannah "A
wonderfully
complex book." Peter
James "He is a terrific writer doing
something different" Mark Billingham "The characters were wonderfully
compelling" Kate Mosse
VIRTUALLY
DEAD
Novel
Crime-scene photographer Michael Kapinsky,
suffering after the death of his wife, is
persuaded to enter the online virtual world
of Second Life to participate in a new kind
of group therapy. Once there, he discovers a
chilling connection between crime scenes he
has attended real life, and scenes depicted
in the virtual world. When he uncovers a
series of killings and a financial scam that
is netting the murderer millions of dollars,
Michael finds that both in Second Life and
in real life, someone is out to kill him.
In order to research VIRTUALLY DEAD, Peter
created the avatar of Flick Faulds in Second
Life and opened a Private Detective
Agency. He worked for over a year as a
private eye, mastering surveillance and
tailing techniques and taking on real cases
for clients from all over the world.
His cases included missing persons, marital
infidelity, stalking and harrassment.
He had a hundred percent record of success.
(1992 - 1996)
99-episode Gaelic television Drama Serial
Co-Creator/Writer/Producer
Machair was a Gaelic language
television drama serial.
The show made history as the first major
Gaelic Language drama serial. It was produced
by Scottish Television and broadcast in prime
time with English subtitles.
Machair achieved a 30% audience share and made
into the Top Ten in TV viewers' ratings.
"quite
simply the best thing to have happened to
television in Scotland for a long time"
Kenneth Roy, Scotland on Sunday
Background
Peter May and Janice Hally's
proposal to Scottish Television for a
long-running drama serial set in the Outer
Hebrides included not only the characters and
storylines for the show, but details of the
process required to find, recruit and train
actors and writers most of whom would have
neither professional nor amateur experience.
With the backing of Scottish Television, May
and Hally undertook two years of preparatory
work in the Outer Hebrides. As well as
conducting extensive research, they organised
auditions and screen tests for potential
actors as well as devising a 3-week writing
course and workshop for potential writers for
the show. Actors and writers came from
all walks of life and were persuaded to take a
diversion for a while and enter the world of
television drama.
Peter May and Janice Hally co-created and
storylined the 99-episode story arc and
Janice went on to write scene-by-scene
breakdowns for every episode. She shared
the scriptwriting of the series with Anne
Marie di Mambro. Scripts were written in
English then translated into Gaelic by Gaelic
writers.
Peter led a 70-strong cast and crew to the
Outer Hebrides of the Northwestern coast of
Scotland to film the show entirely on location with
John G Temple as producer of the first 13
episodes and Peter as producer from episode 14
to 99.
They shot ninety-nine episodes entirely on
location on the Isle of Lewis in the Outer
Hebrides in north-west Scotland between August
1992 and September 1996.
Machair went on air and the reviews began to
come in...
'A
credit
to the company (Scottish Television) and
a smack in the face to those of us who
were doubtful' 'It is well written,
captures the essential atmosphere of
the Hebrides.' 'The characters are
real and recognisable, and they are
dealing with real and recognisable
themes - land ownership, returning
exiles, youthful impatience with
island customs - all of which were
deftly interwoven in the first
episode' Kenneth
Roy,
Scotland on Sunday
'Its writers are the
seasoned Peter May and Janice Hally.
In these hands, Machair opened with
one of life's fundamental rites of
passage - a funeral - and moved
briskly into conflict. By the end of
episode one, love, greed, power and
lust - the four horsemen of soap opera
- were also edging their way into the
script' Julie
Davidson,
TV Editor, The Herald
'Telling good tales
is the secret of soap in any language' 'The feel is that of
a character-driven soap with strong,
and involving, storylines' Tom
Lappin,
Sunday Times
'After two episodes I
want to see more' 'Machair has already
hooked me into its characters and
stories' 'The characters and
their backgrounds have been carefully
thought out' Dorothy
Hobson,
Media Research Consultant
'the writing was
impressive, with several intriguing
storylines' West
Highland
Free Press
'Most viewers hooked
after episode one' Viewers'
Poll,
West Highland Free Press
'Well worth
following' Sunday
Mail
'Glayva this show
certainly is, and I'll watch it
again!' (Glayva is Gaelic for
'very good') Ian
Black,
TV Critic, The Herald
'Already the
characters are in place, the battle
lines drawn and the enigmas hinted at
- the story is being built up, as
ever, layer upon layer' Anthony
Troon,
TV Critic, The Scotsman
'I wrote warmly of
Machair when it first started. Now I
must revise my opinion. It is even
better than it looked at first glance
- quite simply the best thing to have
happened to television in Scotland for
a long time.' Kenneth
Roy,
TV Critic, Scotland on Sunday
The 99 episodes not only hooked but held an
audience which regularly won a 30 per cent
audience share, making it into the Top Ten of
programmes in Scotland. Broadcast in Gaelic
with English subtitles, its success in the
ratings was made all the more notable by the
fact that less than 2 percent of the
population of Scotland can speak Gaelic, and
British audiences are notoriously antipathetic
to subtitled drama.
Machair went on to win nominations for awards
for production and writing from The Celtic
Film Festival and Writers Guild of Great
Britain.
The
Noble Path (1992) Novel
Novel
set
in South-East Asia during the rise and fall
of the Khmer Rouge in Cambodia. Published by
Piatkus(UK) and St Martin's Press in the UK.
Innocence is a force
more potent, sometimes, than evil. For it
has no concept of its own power to
destroy. The Noble Path is the story of
two people who become its victims.
Jack Elliot is a man without a soul. A
discredited British Army officer, he kills
now for money. For him life is cheap -
even his own. Only death comes expensive.
And when Ang Yuon, a wealthy Cambodian
refugee, asks him to cross from Thailand
to rescue his wife and children from the
Khmer Rouge, Elliot demands an extravagant
fee. For this time he expects, perhaps
hopes, to die. But even Elliot is
unprepared for the scale of suffering
inflicted on an innocent Cambodian people,
or for the curse it brings him - a reason
to live.
Lisa is Elliot's teenage daughter,
stepping into the unknown in search of the
father she has never met. Following him as
far as Bangkok, she falls foul of his
ruthless Thai associates. In her innocence
she sees the obsequious Tuk Than as no
more than a concerned friend of her
father, and the beautiful, bewitching
Grace as his talented protege. She does
not realise that Tuk's business interests
encompass girls as well as guns, and that
Grace is a cunning procuress who can find
any number of buyers for an innocent
English girl...
In the fetid jungles of Cambodia or on the
storm-tossed South China Sea, in the
opulent mansions of Bangkok or in its
seamy back streets, Elliot and Lisa tread
the hard path of enlightenment, and head
inexorably towards a final, unexpected and
devastating encounter
Take The
High Road (1980 - 1992) Drama Serial
Scriptwriter/Story
Editor/Script Editor
Drama
Serial
produced by Scottish Television. Script
Editor between 1981 and 1986, and Story
Editor between 1986 and 1988, when the show
was at the peak of its success, being
broadcast twice weekly in all ITV regions
and regularly achieving afternoon audience
figures in excess of six million. Between
1980 and 1992, wrote more than 200 episodes.
The
Ardlamont Mystery (1985) Dramatisation
A
single play dramatisation of a real-life
murder produced by BBC Scotland for the BBC
Network as part of a series titled MURDER
NOT PROVEN.
Squadron
(1982)
Drama Series
Writer/Co-Creator
Produced
by
BBC London for the Network, this was a drama
series of ten one-hour episodes about an RAF
rapid deployment squadron.
Hidden
Faces (1981) Novel
A
political thriller set in Brussels.
Published by Piatkus (UK).
Published in the USA by St Martin's Press as
THE MAN WITH NO FACE
There are two men on
their way to Brussels from the UK: Neil
Bannerman, an iconoclastic journalist on
Scotland's Daily Standard whose irate
editor wants him out of the way, and Kale
- a professional assassin.
Expecting to find only a difficult, dreary
political investigation in Belgium,
Bannerman has barely settled in when
tragedy strikes. His host, a fellow
journalist, along with a British Cabinet
Minister, are discovered dead in the
Minister's elegant Brussels townhouse.
Apparently they have shot each other. But
the dead journalist's young autistic
daughter, Tania, was hidden in a closet
during the killings, and when she draws a
chilling picture of a third party - a man
with no face - Bannerman suddenly finds
himself a reluctant participant in a
desperate murder investigation.
As the facts slowly begin to emerge under
Bannerman's scrutiny, he comes to suspect
that the shootings may have a deep and
foul link with the rotten politics that
brought him to Brussels in the first
place. And as Kale threatens to strike
again, Bannerman begins to feel a change
within himself. His jaded professionalism
is combining with a growing concern for
the lonely and frightened Tania, and a
strong attraction for a courageous woman
called Sally, to draw him out of himself
and into the very heart of a profound,
cold-blooded, and infinitely dangerous
conspiracy.
Fallen
Hero
(1979) Novelisation
This
was
a novelisation of the Granada television
series of the same name, written by Brian
Finch. Published by N.E.L.(UK).
The
Reporter (1978) Novel
A
novel based upon characters created for the
BBC television drama series, THE STANDARD.
Published by Corgi (UK).
The headline screamed
the news of the latest in a string of
North Sea disasters, this one was unusual
only in that nobody had died. The
Government claimed they were simply
unfortunate 'accidents'; but to Colin
Anderson, investigative reporter for The
Standard, the 'accidents' turned out to be
leads to one of the biggest international
sabotage stories of all time - a
hell-raising exlusive that was to endanger
not only his life but the life of Janis
Sinclair, his attractive young research
assistant who'd somehow ingratiated
herself into both his work and his
feelings
The
Standard
(1978) Drama Series
Writer/Co-Creator
Made by BBC Scotland for the BBC Network,
this was a thirteen-part drama series of
one-hour episodes set in a newspaper office.